GOODBYE, MARTIN.

For Spring Summer 2026, having lingered in desire’s embrace, Louis now learns the tenderness of release. This chapter unfolds as his quiet reckoning with love’s impermanence, a final gesture toward what once was. Set within the sacred stillness of St Marylebone Parish Church, the collection becomes a conversation between holding on and letting go.

Here, tailoring reveals its vulnerability. Each stitch carries the memory of touch, each proportion is measured between restraint and surrender. The silhouettes echo ceremony, with asymmetric jackets, high-waisted, and fluid lines balanced on the edge of collapse. The palette softens to ivory, midnight navy and black, as though light itself were fading into memory.

If Love, Louis was the intoxication of feeling, Goodbye, Martin, is the acceptance that follows. Louis does not mourn; he releases. The act of goodbye becomes creation itself, a transformation from possession to peace, from lover to observer. What remains is the quiet persistence of beauty, precise and human, suspended between past and becoming.